Luana shares a common situation with her father, Fábio: lack of luck in love. Since his wife's death, he has been unable to get into any serious relationship and finding an ideal girlfriend seems to be an increasingly distant dream. However, everything changes when he falls in love with a co-worker and starts making plans to live with her. What seemed like an idea a little out of the question, ends up becoming a new path, full of new obstacles, patience, love and complicity for both, as Fábio's friend is nothing more, nothing less, than Antônia, Fábio's mother. Hugh.

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In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.

Beto is unemployed and gets involved in making a porn film, where he ends up mixing his own story with that of the character he plays.

A poetic film that celebrates the work of Alberto Pimenta, fruit of a friendship and complicity maintained during the last 24 years.

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The real-life story of how the Antonoffs' parents met, developed crushes on each other and fell in love.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.